There are different ways to do things in ballet.
Duh.
I have very few problems with differences in the various syllabi. Very few, but I do have them. Mostly, as long as the steps get done, I don't really care, for example, if you have a rounded third position or extended one for your pirouette prep. If your pirouettes are good, cool.
However...
When I can explain why something I teach works, and another teacher/dancer can't explain theirs (and it doesn't), I get furious.
If you come into my class, and you're dancing well, I'm not going to mess with you. I will not try to change the way a dancer does something just so they do it my way. If they are doing something that will injure them, I'll do my best to fix it. If we're doing a piece with a specific style, they must adapt. If you're doing something that doesn't work, and I can explain why it doesn't and why my way does, don't tell me another teacher told you to do it that way. They're either wrong (yup, that does exist), you're doing it wrong, or you didn't understand them.
I do my best to avoid saying, "they're wrong", but sometimes they just are.
See you in class.
My thoughts on ballet technique and dancing in general, gleaned from 18 years as a dancer, 14 as a professional, 8 with The Joffrey Ballet. I currently teach at South Bay Ballet, the Burbank Dance Academy, and at the California Dance Academy. I retain the rights to all my blog posts. You may share the blog, and quote me, as long as you credit me. If I have quoted someone, or shared a link, please credit where credit is due. Please feel free to comment. You may contact me at jerrykokich@yahoo.com
Digital Degas

Students from the Santa Clarita Ballet